When doing my research on script writing I tend to look and watch documentaries as this can give me both visual and audio side to the story this gives me ideas for which I then will take from a documentary and the turn it into my own script/short film The documentary that I had watched was called ‘Meridian Bloodline Incident Part 1 //Bossman//Big H//Pres T//Pablo//Skepta//Gaynor’ Here is the link to part 1 the documentary comes in 6 parts http://www.youtube.com/watch?v=VepEIN9Y8gw&list=UL

Toy story is a trilogy of films. The target audience for these films would have to be open to everyone as the has to sets of humour, one for the adults and one for the children, this is a great idea as this is a child’s film, but with pixar knowing adults would have to take there children to go and see this they had to put both humour for adults and kids so that the film had entertainment for both sets, so I would say that this has a target audience for the whole family. Personally I think after the 1st toy story they had already had here fanbase the so from that they were looking to build up more but by the time the next one come out people who had watched the 1st one had grown up but still were a fan of the movie, but they also wanted to expand there fanbase

FACTORY WORK

Video installation is a form of video art which has a collection of visuals all brought together to make a final piece. The reasons why video art is different to film making because video art will not nessacary need or use actors or a script , its more like a load of moving images mixed together. There are no rules for video art it dosent have to make sense to be enjoyable to watch its about how you make things look & how everything sounds. heres an example of video art

Assignment 1 (Unit 24.1) – The Commissioning Process for Writing for Television and Video

The current practice of commissioning scripts for television and video has taken a shift from the conventional method of 'writing to assignment', to more writer-led systems such as proposal-based responses to commissions. The principals of commissioning scripts varies from different television channels or video companies, but essentially commissioned under the same process. There are many roles in the commissioning process which include commissioning editors and who must adhere to the conventions of the commissioning bodies such as the corporations or the independent production companies who employ them. There are many legal and ethical issues that the writer must consider when writing for television and video. Some of the most important considerations for a writer are copyright; biasness; censorship; watersheds and libel issues. *If the laws of copyright are broken, the production company could have legal action taken against them. Therefore it is imperitive that a production must never copy or use the material from another production without their permission, as this would be breaking the terms and conditions of copyright. *A programme may be deemed prejudice and unethical if the programme would only express the views and opinions of one party, and not that of another. *Censorship is to be considered in the example of programmes for a younger audience. Explicit aspects of a programme such as sex, violence, drug abuse and swearing are taken out of a programme to suit the younger audience. Therefore, the writer must have a comprehensive understanding of the levels of censorship within the industry. *The watershed threshold tends to be around 9 o'clock in Great Britain. This is the time when the transition of the material of programmes can take place. Programmes which feature sex, violence, drug abuse, and swearing are allowed to be aired on television. A writer may therefore create a programme which would be censored before the watershed, but uncensored after, even though it would run as one television programme. *A programme that is defamtory or damagingly misrepresents a party can be deemed as libel. This can also lead to legal action taken against the production company. Before any written work can be put forward for production, a commissioner will check that it has adhered to all rules when it comes to both legal and ethical considerations. A script must not breach the regulations of any of the issues mentioned. commissioning process of a script Know about the commissioning process. - Createhavoc www.createhavoc.org/...for.../18_Day_of_longboarding.html - Cached http://media3.bournemouth.ac.uk/profstudies/5commissioning/01overview.html

35

Elizabeth Price is a video artist who was born in Bradford in 1966 but then later grew up in Luton which later she then started to attend Putteridge Comprehensive High School She then recieved a bacherlors degree in fine art at Ruskin School of art which is apart of Oxford University in the year 1988, later on in her life she was then rewarded with MA in fine Art from the Royal college of art in the year 1991. Elizabeth then later went on to complete her PhD in Fine Art at the University of Leeds. Here is a link to some of her paid work which you can hire http://lux.org.uk/collection/works/user-group-disco